«Now that Stephen King is increasingly falling prey to PC blandness, Bueso has decided to seize the burning fuse and blow the world to pieces. He captivates and wins over the most demanding of readers. extraÑos eones, bueso, emilio (1974), 20,00. «A hard-hitting style that goes straight for the jugular. Each new novel is a not-to-be-missed delight.» Carlos Ferrán, Crónicas literarias «No one understands fantasy/horror/action quite like Bueso. y-ejecuciones-hipotecarias-emilio-esteban-hanza-navarro-9788490534571.

He is also a brave writer, who sees each new book as a fresh challenge.» Sergi Viciana, Fantífica «One of the finest writers working in Spanish today, able to bend words to his will. The hopes of Spanish fantasy and horror fiction rest on Bueso.» Miguel Barrero, Qué Leer Nos cuenta una historia de terror basada en los mitos de Cthulhu y ambientada en el Egipto actual Lo primero que destaca de este libro es el «realismo sucio», que parece ser la marca del escritor. Testifying once again to the author’s knack of creating claustrophobic atmospheres. This is the story of a plan to wreak havoc on the world, of a silver key concealed in a grave in Barcelona, of a car journey to the very edge of sanity. Extraños Eones es un libro firmado por Emilio Bueso y publicado por Valdemar en su línea «Insomnia». «Written in his trademark, robust style, always finding the perfect turn of phrase, the mot juste and the adjective that cuts to the core. In both the world of fandom and beyond, Bueso is already a not-to-be-missed name, he is ‘the man’.» Ricard Ruiz Garzón, El Periódico

Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.«One of this year’s top genre releases. This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation. The use of his mother's maiden name as part of it seems both a release and a lifeline.A stroke of very good fortune arrived with his novel The Beetle published in 1897. Shortly thereafter the name 'Richard Marsh' began to appear in the literary periodicals. In order to be well away from the scandal and damage this had caused to his reputation Heldmann adopted a pseudonym on his release from jail. In April 1884 He was sentenced to 18 months hard labour. It appears Heldman was prone to issuing forged cheques to finance his lifestyle. In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883. By his early 20's Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.

Extraños eones by Emilio Bueso